Despite the 1950s witnessing the growth of abstractionism and expressionism in Colombian art, Teresa Cuellar decided to focus on figurative art. While she started out with abstract figuration, her language gradually advanced towards naturalism. According to Antonio Montaña, her husband and main commentator, Teyé has always painted what lays before her eyes and — judging by the way she expresses herself regarding her own style of working — her creative process resembles that of impressionist artists, due to her handing a starring role to light and atmosphere. Teyé’s work has been characterized by the use of spatulas and the direct manipulation of oil paints with fingers instead of paintbrush. Her still lifes imbue fruit, vegetables and flowers, which she studies in great detail, with life and uniqueness. The floral arrangements that she has captured in her prints reflect methods that have been compared to those of Alberto Durero[1].

  1. Teyé’s curriculum vitae in The Americas Collection, Private & Corporate Fine Arts Dealers: http://www.americascollection.com/bios/TEYE_CURRICULUM.pdf