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Definición del mensaje (Alicia Barney Caldas)

===Trayectoria artística===
Alicia Barney se formó durante la década del setenta en Nueva York, lo que le permitió conocer de primera mano las discusiones teóricas que propiciaron uno de los principios del arte contemporáneo, la desmaterialización de la obra de arte. Este conocimiento le permitió comprender la emblemática exposición Ecological Art, que tuvo lugar en 1969 en la Galería Gibson, donde Christo, Hutchinson y Oldenburg presentaron sus trabajos dentro de esta corriente reflexiva.
Al terminar sus estudios, Barney decidió regresar a la capital vallecaucana para desarrollar su trabajo profesional. A su llegada, se contactó con Miguel González quien, sin dudarlo, propició que realizara su primera exposición en Colombia en la Universidad del Valle, tal como lo refiere el mismo González en entrevista con María Wills:

“''Alicia Barney hizo su primera exposición individual en Colombia, en la Universidad del Valle cuando yo estaba dirigiendo las exposiciones ahí, que era sobre el “''Diario objeto''”. Algo totalmente diferente a lo que se había visto antes. Me llamo Benjamín Barney, (que se había casado con María de la Paz Jaramillo), y yo estaba ya en la Universidad del Valle, y me dijo''” “''Mire, yo tengo una hermana que hace escultura, y que se vino a vivir a Cali después de estudiar en EE.UU. Entonces yo me imaginaba pues unas porcelanas, unas bailarinas, unos bustos, pero dije no me voy a meter en un lío aquí con Benjamín y le dije que viniera a mostrarme su trabajo (…) Y entonces apareció ella con su portafolio, con todas sus basuras colgadas, ¿no? Y todas esas cosas que para Colombia eran rarísimas, entonces yo le dije ¿Cuándo quiere la exposición?”. (Wills, 2016).

Artistic Career

Alicia Barney was trained during the seventies in New York, which allowed her to learn first-hand about the theoretical discussions that led to one of the principles of contemporary art: the dematerialization of the work of art. This knowledge allowed her to understand the emblematic exhibition Ecological Art, which took place in 1969 at Gibson Gallery, where Christo, Hutchinson, and Oldenburg presented their works within this reflexive current. After finishing her studies, Barney decided to return to the capital city of Valle del Cauca in Colombia to develop her professional work. Upon her arrival, she contacted Miguel González, who without hesitation encouraged her to prepare her first exhibition in Colombia at Universidad del Valle, as González himself told Maria Wills in an interview:

“Alicia Barney had her first solo exhibition in Colombia, at Universidad del Valle when I was directing the exhibitions there. It was about the Object-Diary, something totally different from what had been seen before. Benjamín Barney (who had married María de la Paz Jaramillo) called me, and I was already at Universidad del Valle, and he told me” “Look, I have a sister who does sculpture, and she came to live in Cali after studying in the United States. So I imagined some porcelains, some dancers, some busts, but I said I'm not going to get into trouble here with Benjamin, and I told her to come and show me her work [...] And then she showed up with her portfolio, with all her junk hanging out, right? All those things that for Colombia were very strange. So I said, "When do you want the exhibition?” (Wills, 2016).

@@ Línea 1: / Línea 1: @@
 ===Artistic Career===
+Alicia Barney was trained during the seventies in New York, which allowed her to learn first-hand about the theoretical discussions that led to one of the principles of contemporary art: the dematerialization of the work of art. This knowledge allowed her to understand the emblematic exhibition Ecological Art, which took place in 1969 at Gibson Gallery, where Christo, Hutchinson, and Oldenburg presented their works within this reflexive current.
+After finishing her studies, Barney decided to return to the capital city of Valle del Cauca in Colombia to develop her professional work. Upon her arrival, she contacted Miguel González, who without hesitation encouraged her to prepare her first exhibition in Colombia at Universidad del Valle, as González himself told Maria Wills in an interview:
+“''Alicia Barney had her first solo exhibition in Colombia, at Universidad del Valle when I was directing the exhibitions there. It was about the Object-Diary, something totally different from what had been seen before. Benjamín Barney (who had married María de la Paz Jaramillo) called me, and I was already at Universidad del Valle, and he told me''”  “''Look, I have a sister who does sculpture, and she came to live in Cali after studying in the United States. So I imagined some porcelains, some dancers, some busts, but I said I'm not going to get into trouble here with Benjamin, and I told her to come and show me her work [...] And then she showed up with her portfolio, with all her junk hanging out, right? All those things that for Colombia were very strange. So I said, "When do you want the exhibition?” (Wills, 2016).