Diferencia entre revisiones de «Liliana Porter/en»

Nombre	Liliana Porter
Fecha de nacimiento	1941
Nacionalidad	Argentina
Ocupación	Artista
País de nacimiento	Argentina
Ciudad de nacimiento	Buenos Aires
Familia	Julio Porter (Padre), Margarita Galetar (Madre)

Revisión actual - 08:30 21 sep 2021

Otros idiomas:

English
español

Liliana Porter was born in Buenos Aires in 1941 and educated at the Manuel Belgrano and Prilidiano Pueyrredón fine arts schools. She attended the print workshop at the Ernesto de la Cárcova Fine Arts School, led by the printmaker Fernando López Anaya, who together with Ana María Moncalvo would be her most influential teachers. Between 1958 and 1964 she was a resident of Mexico City, where she studied at the Ibero-American University and the La Ciudadela workshop with the Colombian artist Guillermo Silva Santamaría and the German Mathias Goeritz. While her first exhibitions took place in Mexico, she settled in New York in 1964 and lives in the city to this day. Along with the artists Luis Camnitzer and José Guillermo Castillo she co-founded the New York Graphic Workshop print workshop. She has taught at the Porter-Wiener Studio, Printmaking Workshop, SUNY Purchase and the State University of New York, and also worked as a professor at Queens College and New York University.

Biography

Artistic career

Liliana Porter is the daughter of the film, theater and radio director Julio Porter and the poet and printmaker Margarita Galetar, which had an influence on her artistic sensibilities. At the age of 12 she joined the National School of Fine Arts. Her adolescent years took place in Mexico, where she continued her studies in visual arts and also took an interest in the world of literature, being particularly close to great writers such as Octavio Paz. In 1961 she returned to Argentina before traveling to New York in 1964, where she lives to this day. Her artistic approach began with printmaking and oil painting in around 1959, and over time would expand to include drawings, photographs, installations, video, theater and art in public spaces. Although she does not limit herself to a single technique, she has acted as a point of reference in Latin America in the establishment of concepts around humor, anguish, time, banality in society and the possibility of or search for meaning in the human condition. Her career spans over half a century and has served to establish her as a trailblazer in Latin American conceptual art, and also as a benchmark in the feminist art of her generation. In 1959 her first individual exhibition was inaugurated at the Proteo Gallery in Mexico City, and her most recent was entitled “Situations” and held at the Zacheta National Gallery of Art in Warsaw, Poland

Characteristics of her work

In her work, Porter creates collages, photographs, installations and videos in order to create new visual universes, with influences ranging from Lichtenstein to the Guerrilla Girls. She explores a huge variety of techniques to transform everyday objects — such as toys and unusual ornaments that she finds in antique shops or flea markets — into objects brimming with meaning, living objects that set emotions and thoughts in motion among spectators. “Everything has the potential to be profound or banal, sinister or innocent, hideous or beautiful. I’ve always been interested in the simultaneity of what appears to be opposing and irreconcilable, because I feel increasingly that this perception lies in how objects are read, and not entirely in the objects in themselves”.^[1]

Featured works

1969: “Wrinkle”.
1973: “The square”
2017: “Man with axe and other brief situations”.

Works by Liliana Porter in the collections of the Banco de la República

**Works by Liliana Porter in the collections of the Banco de la República**
Title	Year	Location	Technique	Registration number
“The square”	1973	Reserve	Photograph	AP5507

Timeline

1941: Born in the city of Buenos Aires in Argentina to artist parents (Julio Porter, a writer and film director, and Margarita Galetar, a poet)
1953: Starts studying at the National School of Fine Arts and is considered a young prodigy, beginning her artistic training at the early age of 12.
1964: Settles in New York. Co-founds the New York Graphic Workshop print workshop together with the artists Luis Camnitzer and José Guillermo Castillo.
1973: Presents an individual exhibition at the New York Museum of Modern Art (MoMA) and receives an award at the Cali Print Biennial in Cali, Colombia.
2017: Awarded the “Grand Homage” prize by Argentina’s Banco Central de la República, an award in existence since 2008 that aims to pay homage to Argentinian artists.

References

↑ Liliana Porter. Liliana Porter – Antológica (Liliana Porter Anthology), Neuquen National Museum of Fine Arts, 2015

Bibliography

Andriani, A. (April 17, 2014). La Voz. Taken from https://www.lavoz.com.ar/ciudad-equis/el-enigmatico-mundo-de-liliana-porter

Buccellato, L., & Ramírez, G. (2015). Liliana Porter Antología (Liliana Porter Anthology), catalogue of the Neuquen National Museum of Fine Arts. Neuquén.

Camnitzer, L. (2012). Didáctica de la liberación. Arte conceptualista latinoamericano (Liberation teaching: Latin American conceptual art). Bogotá: Gilberto Alzáte Avendaño Foundation, District Institute of the Arts.

Southgate, A., & Sathe, P. (n.d.). Liliana Porter. Taken from the Liliana Porter website: http://lilianaporter.com/

Art collection of the Banco de la República

Visit Liliana Porter's artwork in Colección de arte

Credits

1. Research and text: Daniela García, mediator of the museums and collections of the Banco de la República, for Banrepcultural.

2. Text revision and editing: Inti Camila Romero Estrada, temporary professional in Public and Educational Services, Art and Other Collections Unit (UAOC) Banrecultural.

3.Diana Marcela Salas Solórzano, Head of Public and Educational Services, Art and Other Collections Unit (UAOC) Banrepcultural.

¿Tienes un minuto? Queremos saber tu opinión

Estamos mejorando La Enciclopedia de Banrepcultural y tu opinión es muy importante para nosotros.
Te invitamos a completar una breve encuesta, que te tomará solo 2 minutos:

Completar la encuesta

¡Explora todas nuestras colecciones en Banrepcultural!

Descubridor

Explora el catálogo bibliográfico de la Red de Bibliotecas del Banco de la República

Para niños y niñas

Programación, servicios y contenido para niños y niñas.

Colección de arte

Explora en más de seis mil piezas de ate colombiano, latinoamericano e internacional.

Biblioteca Virtual

Colecciones digitales de libros, imágenes, mapas, periódicos.

Colección arqueológica

Explora las piezas de orfebrería de la colección del Museo del Oro.

Colección de monedas y billetes

Cerca de 40 mil piezas numismáticas que puedes explorar.

Boletín Cultural y Bibliográfico

Consulta todos los números de la revista más importante de la Biblioteca Luis Ángel Arango.

Colección Filatélica

Estampillas colombianas. Rarezas y curiosidades que podrás conocer explorando esta colección.

Colección Etnográfica de Leticia

Elementos vivos de las comunidades indígenas que habitan la región de la Amazonía colombiana.

[1] Liliana Porter. Liliana Porter – Antológica (Liliana Porter Anthology), Neuquen National Museum of Fine Arts, 2015

[1]

@@ Línea 36: / Línea 36: @@
 Her career spans over half a century and has served to establish her as a trailblazer in Latin American conceptual art, and also as a benchmark in the feminist art of her generation. In 1959 her first individual exhibition was inaugurated at the Proteo Gallery in Mexico City, and her most recent was entitled “Situations” and held at the Zacheta National Gallery of Art in Warsaw, Poland
-===Características de su obra===
+===Characteristics of her work===
-En su obra, Porter crea collages, fotografías, instalaciones y videos para generar nuevos universos visuales. Sus influencias van desde [[Lichtenstein]] hasta [[las Guerrilla Girls]]. Explora una gran variedad de técnicas para transformar objetos cotidianos, juguetes, adornos inusuales -que encuentra en anticuarios o mercados de pulgas- en objetos llenos de significado, como objetos vivos que echan a rodar pensamientos y emociones en el espectador.
+In her work, Porter creates collages, photographs, installations and videos in order to create new visual universes, with influences ranging from Lichtenstein to the Guerrilla Girls. She explores a huge variety of techniques to transform everyday objects — such as toys and unusual ornaments that she finds in antique shops or flea markets — into objects brimming with meaning, living objects that set emotions and thoughts in motion among spectators.
-“''Todas las cosas tienen el potencial de ser profundas y banales, siniestras e inocentes, horribles y hermosas. Siempre me interesó la simultaneidad de lo que parece opuesto o irreconciliable, porque cada vez más siento que esa percepción está en la lectura de la cosa y no completamente en la cosa en sí''”.<ref>Liliana Porter Liliana Porter – Antológica, Museo Nacional de Bellas Artes Neuquén, 2015</ref>.
+“Everything has the potential to be profound or banal, sinister or innocent, hideous or beautiful. I’ve always been interested in the simultaneity of what appears to be opposing and irreconcilable, because I feel increasingly that this perception lies in how objects are read, and not entirely in the objects in themselves”.<ref>Liliana Porter. Liliana Porter – Antológica (Liliana Porter Anthology), Neuquen National Museum of Fine Arts, 2015</ref>
-===Obras destacadas===
+===Featured works===
 *'''{{Fecha|1969|link=}}''': “Wrinkle”.
-*'''{{Fecha|1973|link=}}''': “The square” – El cuadrado.
+*'''{{Fecha|1973|link=}}''': “The square”
-*'''{{Fecha|2017|link=}}''': “El hombre con el hacha y otras situaciones breves”.
+*'''{{Fecha|2017|link=}}''': “Man with axe and other brief situations”.
-===Obras de Liliana Porter en las Colecciones del Banco de la República===
+===Works by Liliana Porter in the collections of the Banco de la República===
 {|class="wikitable" border="0" style="background:#ffffff; width: 90%" align="top"
-|+ align="center" style="background:DarkSlateBlue; color:white"|<big>'''Obras de Liliana Porter en la Colección de Arte del Banco de la República'''</big>
+|+ align="center" style="background:DarkSlateBlue; color:white"|<big>'''Works by Liliana Porter in the collections of the Banco de la República'''</big>
-! width="300 px" style="background:Lavender; color:Black"|Título
+! width="300 px" style="background:Lavender; color:Black"|Title
-! width="40 px" style="background:Lavender; color:Black"|Año
+! width="40 px" style="background:Lavender; color:Black"|Year
-! width="80 px" style="background:Lavender; color:Black"|Ubicación
+! width="80 px" style="background:Lavender; color:Black"|Location
-! width="80 px" style="background:Lavender; color:Black"|Denominación
+! width="80 px" style="background:Lavender; color:Black"|Technique
-! width="80 px" style="background:Lavender; color:Black"|Registro
+! width="80 px" style="background:Lavender; color:Black"|Registration number
 |-
-||“''The square''” – El cuadrado Ed. 1/5
+||“''The square''”
 ||1973
-||Reserva
+||Reserve
-||Fotografía
+||Photograph
 ||AP5507
 |-
 |}
-==Cronología==
+==Timeline==
-*'''{{Fecha|1941|link=}}''': Nace en Argentina, en la Ciudad de Buenos Aires, sus padres son artistas (Julio Porter era escritor y director de cine y Margarita Galetar era poeta)
+*'''{{Fecha|1941|link=}}''': Born in the city of Buenos Aires in Argentina to artist parents (Julio Porter, a writer and film director, and Margarita Galetar, a poet)
-*'''{{Fecha|1953|link=}}''': Ingresa a la Escuela Nacional de Bellas Artes. Es vista como una  joven prodigio que empieza su educación artística a la temprana edad de 12 años.
+*'''{{Fecha|1953|link=}}''': Starts studying at the National School of Fine Arts and is considered a young prodigy, beginning her artistic training at the early age of 12.
-*'''{{Fecha|1964|link=}}''': Se establece en Nueva York. Junto con los artistas Luis Camnitzer y José Guillermo Castillo co-fundan el taller de grabado The New York Graphic Workshop.
+*'''{{Fecha|1964|link=}}''': Settles in New York. Co-founds the New York Graphic Workshop print workshop together with the artists Luis Camnitzer and José Guillermo Castillo.
-*'''{{Fecha|1973|link=}}''': Presenta una exposición individual en el Museo de Arte Moderno de Nueva York (MoMA) y obtiene un premio en la Bienal de Grabado de Cali, Colombia.
+*'''{{Fecha|1973|link=}}''': Presents an individual exhibition at the New York Museum of Modern Art (MoMA) and receives an award at the Cali Print Biennial in Cali, Colombia.
-*'''{{Fecha|2017|link=}}''': Obtiene el Gran Premio Homenaje del Banco Central de la República Argentina, el cual promueve la expresión del arte contemporáneo y pretende rendir homenaje a artistas argentinos, la categoría se incluye desde 2008.
+*'''{{Fecha|2017|link=}}''': Awarded the “Grand Homage” prize by Argentina’s Banco Central de la República, an award in existence since 2008 that aims to pay homage to Argentinian artists.
-==Véase también==
+==See also==
-[[Beatriz González]]
+*[[Beatriz González]]
-[[Manuel Hernández Gómez]]
-[[José María Espinosa Prieto]]
-==Referencias==
+*[[Manuel Hernández Gómez]]
+*[[José María Espinosa Prieto]]
+==References==
 {{listaref}}
-==Bibliografía==
+==Bibliography==
+*Andriani, A. (April 17, 2014). La Voz. Taken from https://www.lavoz.com.ar/ciudad-equis/el-enigmatico-mundo-de-liliana-porter
+*Buccellato, L., & Ramírez, G. (2015). ''Liliana Porter Antología'' (Liliana Porter Anthology), catalogue of the Neuquen National Museum of Fine Arts. Neuquén.
+*Camnitzer, L. (2012). Didáctica de la liberación. ''Arte conceptualista latinoamericano'' (Liberation teaching: Latin American conceptual art). Bogotá: Gilberto Alzáte Avendaño Foundation, District Institute of the Arts.
+*Southgate, A., & Sathe, P. (n.d.). ''Liliana Porter''. Taken from the Liliana Porter website: http://lilianaporter.com/
+==Art collection of the Banco de la República==
-*Andriani, A. (17 de abril de 2014). LaVoz. Obtenido de https://www.lavoz.com.ar/ciudad-equis/el-enigmatico-mundo-de-liliana-porter
+*Visit Liliana Porter's artwork in [https://banrepcultural.org/coleccion-de-arte/obra/square-el-cuadrado-ed-15-ap5507 Colección de arte]
-*Buccellato, L., & Ramírez, G. (2015). Liliana Porter Antología, catálogo, Museo Nacional de Bellas Artes Neuquén. Neuquén.
-*Camnitzer, L. (2012). Didáctica de la liberación. Arte conceptualista latinoamericano. Bogotá: Fundación Gilberto Alzáte Avendaño, Instituto Distrital de las Artes.
-*Southgate, A., & Sathe, P. (s.f.). Liliana Porter. Obtenido de Liliana Porter sitio web: http://lilianaporter.com/
-==Colección de arte del Banco de la República==
+==Credits==
-*Visite la obra de arte de Liliana Porter en [https://banrepcultural.org/coleccion-de-arte/obra/square-el-cuadrado-ed-15-ap5507 Colección de arte]
-==Créditos==
+. Research and text: Daniela García, mediator of the museums and collections of the Banco de la República, for Banrepcultural.
-. Investigación y texto: Daniela García, mediadora de los Museos y colecciones del Banco de la República, para Banrepcultural.
-. Revisión y edición de textos Inti Camila Romero Estrada, profesional temporal de Servicios al Público y Educativos, Unidad de Arte y Otras Colecciones (UAOC)
+. Text revision and editing: Inti Camila Romero Estrada, temporary professional in Public and Educational Services, Art and Other Collections Unit (UAOC) Banrecultural.
-. Banrecultural. Diana Marcela Salas Solórzano, Jefe encargada de Servicios al Público y Educativos, Unidad de Arte y Otras Colecciones (UAOC) Banrecultural.
+.Diana Marcela Salas Solórzano, Head of Public and Educational Services, Art and Other Collections Unit (UAOC) Banrepcultural.
 [[Categoría:Pintor]] [[Categoría:Artista]][[Categoría:Mujer]][[Categoría:Mujeres Notables]] [[Categoría:Colección de arte del Banco de la República]]