Diferencia entre revisiones de «Liliana Porter/en»
(Página creada con «*'''{{Fecha|1941|link=}}''': Born in the city of Buenos Aires in Argentina to artist parents (Julio Porter, a writer and film director, and Margarita Galetar, a poet) *'''{…») |
(Página creada con «==See also== Beatriz González Manuel Hernández Gómez José María Espinosa Prieto») |
||
| Línea 72: | Línea 72: | ||
*'''{{Fecha|2017|link=}}''': Awarded the “Grand Homage” prize by Argentina’s Banco Central de la República, an award in existence since 2008 that aims to pay homage to Argentinian artists. | *'''{{Fecha|2017|link=}}''': Awarded the “Grand Homage” prize by Argentina’s Banco Central de la República, an award in existence since 2008 that aims to pay homage to Argentinian artists. | ||
== | ==See also== | ||
[[Beatriz González]] | [[Beatriz González]] | ||
[[Manuel Hernández Gómez]] | [[Manuel Hernández Gómez]] | ||
[[José María Espinosa Prieto]] | [[José María Espinosa Prieto]] | ||
Revisión del 11:33 10 sep 2021
| Nombre | Liliana Porter |
|---|---|
| Fecha de nacimiento | 1941 |
| Nacionalidad | Argentina |
| Ocupación | Artista |
| País de nacimiento | Argentina |
| Ciudad de nacimiento | Buenos Aires |
| Familia | Julio Porter (Padre), Margarita Galetar (Madre) |
Liliana Porter was born in Buenos Aires in 1941 and educated at the Manuel Belgrano and Prilidiano Pueyrredón fine arts schools. She attended the print workshop at the Ernesto de la Cárcova Fine Arts School, led by the printmaker Fernando López Anaya, who together with Ana María Moncalvo would be her most influential teachers. Between 1958 and 1964 she was a resident of Mexico City, where she studied at the Ibero-American University and the La Ciudadela workshop with the Colombian artist Guillermo Silva Santamaría and the German Mathias Goeritz.
While her first exhibitions took place in Mexico, she settled in New York in 1964 and lives in the city to this day. Along with the artists Luis Camnitzer and José Guillermo Castillo she co-founded the New York Graphic Workshop print workshop.
She has taught at the Porter-Wiener Studio, Printmaking Workshop, SUNY Purchase and the State University of New York, and also worked as a professor at Queens College and New York University.
Biography
Artistic career
Liliana Porter is the daughter of the film, theater and radio director Julio Porter and the poet and printmaker Margarita Galetar, which had an influence on her artistic sensibilities. At the age of 12 she joined the National School of Fine Arts. Her adolescent years took place in Mexico, where she continued her studies in visual arts and also took an interest in the world of literature, being particularly close to great writers such as Octavio Paz. In 1961 she returned to Argentina before traveling to New York in 1964, where she lives to this day. Her artistic approach began with printmaking and oil painting in around 1959, and over time would expand to include drawings, photographs, installations, video, theater and art in public spaces. Although she does not limit herself to a single technique, she has acted as a point of reference in Latin America in the establishment of concepts around humor, anguish, time, banality in society and the possibility of or search for meaning in the human condition. Her career spans over half a century and has served to establish her as a trailblazer in Latin American conceptual art, and also as a benchmark in the feminist art of her generation. In 1959 her first individual exhibition was inaugurated at the Proteo Gallery in Mexico City, and her most recent was entitled “Situations” and held at the Zacheta National Gallery of Art in Warsaw, Poland
Characteristics of her work
In her work, Porter creates collages, photographs, installations and videos in order to create new visual universes, with influences ranging from Lichtenstein to the Guerrilla Girls. She explores a huge variety of techniques to transform everyday objects — such as toys and unusual ornaments that she finds in antique shops or flea markets — into objects brimming with meaning, living objects that set emotions and thoughts in motion among spectators. “Everything has the potential to be profound or banal, sinister or innocent, hideous or beautiful. I’ve always been interested in the simultaneity of what appears to be opposing and irreconcilable, because I feel increasingly that this perception lies in how objects are read, and not entirely in the objects in themselves”.[1]
Featured works
Works by Liliana Porter in the collections of the Banco de la República
| Title | Year | Location | Technique | Registration number |
|---|---|---|---|---|
| “The square” | 1973 | Reserve | Photograph | AP5507 |
Timeline
- 1941: Born in the city of Buenos Aires in Argentina to artist parents (Julio Porter, a writer and film director, and Margarita Galetar, a poet)
- 1953: Starts studying at the National School of Fine Arts and is considered a young prodigy, beginning her artistic training at the early age of 12.
- 1964: Settles in New York. Co-founds the New York Graphic Workshop print workshop together with the artists Luis Camnitzer and José Guillermo Castillo.
- 1973: Presents an individual exhibition at the New York Museum of Modern Art (MoMA) and receives an award at the Cali Print Biennial in Cali, Colombia.
- 2017: Awarded the “Grand Homage” prize by Argentina’s Banco Central de la República, an award in existence since 2008 that aims to pay homage to Argentinian artists.
See also
Referencias
- ↑ Liliana Porter. Liliana Porter – Antológica (Liliana Porter Anthology), Neuquen National Museum of Fine Arts, 2015
Bibliografía
- Andriani, A. (17 de abril de 2014). LaVoz. Obtenido de https://www.lavoz.com.ar/ciudad-equis/el-enigmatico-mundo-de-liliana-porter
- Buccellato, L., & Ramírez, G. (2015). Liliana Porter Antología, catálogo, Museo Nacional de Bellas Artes Neuquén. Neuquén.
- Camnitzer, L. (2012). Didáctica de la liberación. Arte conceptualista latinoamericano. Bogotá: Fundación Gilberto Alzáte Avendaño, Instituto Distrital de las Artes.
- Southgate, A., & Sathe, P. (s.f.). Liliana Porter. Obtenido de Liliana Porter sitio web: http://lilianaporter.com/
Colección de arte del Banco de la República
- Visite la obra de arte de Liliana Porter en Colección de arte
Créditos
1. Investigación y texto: Daniela García, mediadora de los Museos y colecciones del Banco de la República, para Banrepcultural.
2. Revisión y edición de textos Inti Camila Romero Estrada, profesional temporal de Servicios al Público y Educativos, Unidad de Arte y Otras Colecciones (UAOC)
3. Banrecultural. Diana Marcela Salas Solórzano, Jefe encargada de Servicios al Público y Educativos, Unidad de Arte y Otras Colecciones (UAOC) Banrecultural.
¿Tienes un minuto? Queremos saber tu opinión
Estamos mejorando La Enciclopedia de Banrepcultural y tu opinión es muy importante para nosotros.
Te invitamos a completar una breve encuesta, que te tomará solo 2 minutos:
¡Explora todas nuestras colecciones en Banrepcultural!
Explora el catálogo bibliográfico de la Red de Bibliotecas del Banco de la República
Para niños y niñas
Programación, servicios y contenido para niños y niñas.
Colección de arte
Explora en más de seis mil piezas de ate colombiano, latinoamericano e internacional.
Biblioteca Virtual
Colecciones digitales de libros, imágenes, mapas, periódicos.
Colección arqueológica
Explora las piezas de orfebrería de la colección del Museo del Oro.
Colección de monedas y billetes
Cerca de 40 mil piezas numismáticas que puedes explorar.
Boletín Cultural y Bibliográfico
Consulta todos los números de la revista más importante de la Biblioteca Luis Ángel Arango.
Colección Filatélica
Estampillas colombianas. Rarezas y curiosidades que podrás conocer explorando esta colección.
Colección Etnográfica de Leticia
Elementos vivos de las comunidades indígenas que habitan la región de la Amazonía colombiana.