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In numerous interviews she has cited the Brazilian artist Iberê Camargo and France’s Marcel Duchamp as influences on her style. From the former she draws on the importance of technique as a means and not as an end, as during the process of creation it allows her to explore myriad styles over and above the result. From Duchamp, renowned for his readymades and installations, Regina Silveira uses the many interpretations of his work, always open to an infinity of readings.
In numerous interviews she has cited the Brazilian artist [[Iberê Camargo]] and France’s [[Marcel Duchamp.]] as influences on her style. From the former she draws on the importance of technique as a means and not as an end, as during the process of creation it allows her to explore myriad styles over and above the result. From Duchamp, renowned for his readymades and installations, Regina Silveira uses the many interpretations of his work, always open to an infinity of readings.

Revisión actual - 12:25 13 sep 2021

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Definición del mensaje (Regina Silveira)
En numerosas entrevistas, cita como influencia de su estilo al artista brasileño [[Iberê Camargo]] y el francés [[Marcel Duchamp.]] Del primero extrae la importancia de la técnica como un medio y no como un fin, pues le permite explorar diversidad de estilos en un proceso de creación por encima del resultado. Del artista francés, reconocido por el ready-made o la instalación, Regina Silveira utiliza las múltiples interpretaciones de su obra, siempre propensas a infinidad de lecturas.

In numerous interviews she has cited the Brazilian artist Iberê Camargo and France’s Marcel Duchamp. as influences on her style. From the former she draws on the importance of technique as a means and not as an end, as during the process of creation it allows her to explore myriad styles over and above the result. From Duchamp, renowned for his readymades and installations, Regina Silveira uses the many interpretations of his work, always open to an infinity of readings.

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