Diferencia entre revisiones de «Translations:Claudia Joskowicz/10/en»

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Notable group exhibitions include Zapping Zone in 1999, presented at the Hubert Winter Gallery in Vienna, Video X: Ten Years of Video at Momenta Art in 2003 at Momenta Art Gallery in Brooklyn, New York, and Beyond Images, a video installation presented at the IV International Media Art Biennial in Seoul, South Korea in 2006. Joskowicz also exhibited in 2007 in Beijing with the exhibition Timeline: Human Speed & Technology Speed by the Korean Cultural Service. She has exhibited in Colombia with her intervention in 2009 at the VII Encounter of the Hemispheric Institute of Performance and Politics at the Museum of Architecture at the National University of Colombia, Bogotá; during the 45th National Artists’ Salon; and with El revés de la trama (The Reversal of the Plot) at Santa Fé gallery in Bogotá during 2019. She has also participated in numerous international group shows in Brazil, Ecuador, Denmark, Argentina, Spain, and Germany, and other countries.<ref>Ibídem</ref>
Notable group exhibitions include “'''Zapping Zone'''” in 1999, presented at the Hubert Winter Gallery in Vienna, “'''Video X: Ten Years of Video at Momenta Art'''” in 2003 at Momenta Art Gallery in Brooklyn, New York, and “'''Beyond Images'''”, a video installation presented at the IV International Media Art Biennial in Seoul, South Korea in 2006. Joskowicz also exhibited in 2007 in Beijing with the exhibition “'''Timeline: Human Speed & Technology Speed'''” by the Korean Cultural Service. She has exhibited in Colombia with her intervention in 2009 at the VII Encounter of the Hemispheric Institute of Performance and Politics at the Museum of Architecture at the National University of Colombia, Bogotá; during the 45th National Artists’ Salon; and with “'''El revés de la trama'''” (The Reversal of the Plot) at Santa Fé gallery in Bogotá during 2019. She has also participated in numerous international group shows in Brazil, Ecuador, Denmark, Argentina, Spain, and Germany, and other countries.<ref>Ibídem</ref>

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Definición del mensaje (Claudia Joskowicz)
Respecto a exposiciones colectivas en las que ha participado, destacan la presentada en la Hubert Winter Gallery de Viena con la muestra “'''Zapping Zone'''” en 1999, la exhibición “'''Video X: Ten Years of Video at Momenta Art'''” de la Momenta Art Gallery en Brooklyn, Nueva York en el 2003 y “'''Beyond Images'''”, una video instalación presentada en la IV Bienal Internacional de Arte Mediático de Seúl, Corea del Sur en el 2006. Asimismo, expuso en el 2007 en Beijing con la muestra “'''Timeline: Human Speed & Technology Speed'''” del Korean Cultural Service. Ha expuesto en Colombia, en donde se destaca su intervención en el VII Encuentro del Instituto Hemisférico de Performance y Política en el Museo de Arquitectura de la Universidad Nacional de Colombia, sede Bogotá en el 2009 y durante el 45 Salón Nacional de Artistas “'''El revés de la trama'''” en la Galería Santafé en Bogotá durante el 2019. Asimismo, ha participado en numerosas muestras colectivas internacionales en Brasil, Ecuador, Dinamarca, Argentina, España y Alemania, entre otros países<ref>Ibídem.</ref>.

Notable group exhibitions include “Zapping Zone” in 1999, presented at the Hubert Winter Gallery in Vienna, “Video X: Ten Years of Video at Momenta Art” in 2003 at Momenta Art Gallery in Brooklyn, New York, and “Beyond Images”, a video installation presented at the IV International Media Art Biennial in Seoul, South Korea in 2006. Joskowicz also exhibited in 2007 in Beijing with the exhibition “Timeline: Human Speed & Technology Speed” by the Korean Cultural Service. She has exhibited in Colombia with her intervention in 2009 at the VII Encounter of the Hemispheric Institute of Performance and Politics at the Museum of Architecture at the National University of Colombia, Bogotá; during the 45th National Artists’ Salon; and with “El revés de la trama” (The Reversal of the Plot) at Santa Fé gallery in Bogotá during 2019. She has also participated in numerous international group shows in Brazil, Ecuador, Denmark, Argentina, Spain, and Germany, and other countries.[1]

  1. Ibídem