Translations:Regina Silveira/9/en

In parallel, her artistic output defines critiquing based on everyday occurrences — positive and negative — that situate the spectator on the basis of thought and reason. Her thematic discourse encompasses the use of allegory, symbolism, recollection and visual identities, always wedded to reality. Similarly, the appearance of her work calls into question the circumstances connected to it, such as the immediate surroundings, ambiguity in the creation of works of art, and how the latter are altered by the spectator.