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Luz Ángela Lizarazo es una artista colombiana nacida en Bogotá en 1966. Su obra está enmarcada en el estudio e interés por la fragilidad, la relación entre lo privado e íntimo y lo público, así como la interacción con la espacialidad.
'''Luz Ángela Lizarazo''' is a Colombian artist who was born in Bogotá in 1966. Her work encompasses the study of and interest in fragility, the relationship between what is private and intimate and the public sphere, and the interaction with spatiality.


==Biografía==
==Biography==


Nace en Bogotá en 1966. Estudió Arte en la Universidad de Los Andes y en la Escuela de Bellas Artes de París. Después de su estancia en la capital francesa, viajó a Madrid donde residió por espacio de diez años. En esta etapa tuvo un encuentro con el arte contemporáneo, el cual le permitió explorar infinidad de recursos y temáticas. En la capital española cursó estudios de joyería y en Bogotá estudió cerámica.
Luz Ángela Lizarazo was born in Bogotá in 1966, and studied Art at the University of Los Andes and the Paris School of Fine Arts. Following her time in the French capital she traveled to Madrid, where she lived for a period of ten years. During this phase of her career, she came into contact with contemporary art, enabling her to explore an endless amount of resources and themes. In the Spanish capital she studied jewelry making, in addition to being taught ceramics in Bogotá.


Su trayectoria académica y exploratoria en diversas ciudades le ha permitido ampliar su mirada artística, partiendo desde la particularidad, la esencia del ser humano, hasta problemáticas de carácter social masivo, usando recursos como la fragilidad, tanto de la materia prima como de su trasfondo conceptua
Her academic journey and exploratory activities in various cities have allowed her to broaden her artistic perspective, based on individuality, the human essence and even mass social problems, and by making use of devices such as the fragility both of raw materials and their conceptual undercurrent.


===Trayectoria artística===
===Artistic career===


La carrera artística de Luz Ángela Lizarazo abarca cerca de dos décadas, empezando con distinciones en los años 90 como la mención recibida en 1990 en el marco de la II Bienal de Arte, Museo de Arte Moderno en Bogotá y en 1996 con la colaboración del proyecto “''Odas y Cantos de Pablo Neruda''” del Tamarind Institute de Albuquerque, Nuevo México, EE.UU. Asimismo, ha participado en exposiciones colectivas como la presentada en 1998, de nombre “''Rojo sobre rojo''” Premio Johnny Walker de las Artes en la Biblioteca Luis Ángel Arango del Banco de la República, “''Pintura de los 90''” del Museo de Arte Moderno de Cartagena y “''Fragilidad: Arte y Medio Ambiente''” del Museo de Arte de la Universidad Nacional de Colombia, sede Bogotá; en el 2007 hizo parte de la exposición “''Arte colombiano en la colección del museo años 60-00''” presentada en el MAMBO, dos años más tarde, en el 2009 fue partícipe en la muestra colectiva de la Casa de América en Madrid, titulada “''Regreso. Arte Latinoamericano y Memoria''”. Expuso en Casablanca, la capital de Marruecos en el marco de la Primera Bienal Internacional de Casablanca en el 2012.  
Luz Ángela Lizarazo’s artistic career spans close to two decades, beginning with recognitions in the 1990s such as the honorable mentions she received in 1990 as part of the 2nd Art Biennial at the Bogotá Museum of Modern Art (MAMBO) and for her work on the project Odas y Cantos de Pablo Neruda (Odes and Songs of Pablo Neruda) at the Tamarind Institute in Albuquerque (New Mexico), United States. She has also taken part in group exhibitions, including 1998’s ''Rojo sobre rojo '' (Red on red) for the Johnny Walker Arts Award at the Luis Ángel Arango Library of the Banco de la República, “Painting in the 1990s” at the Cartagena Museum of Modern Art, and “Fragility: Art and the Environment” at the Art Museum of the Bogota campus of the National University of Colombia. In 2007 she formed part of the exhibition entitled “Colombian Art from 1960-2000 in the Museum Collection” at MAMBO, and two years later was included in the group show “Return: Latin American Art and Memory” at the Casa de América in Madrid. She also presented her work in the Moroccan capital Casablanca as part of the 1st International Biennial of Casablanca in 2012.  


En la década del 2000 también expuso individualmente en varias galerías de Europa, Asia y América Latina, entre las que destacan su participación en el 2003 en la Galería Alonso Garcés con el proyecto “''Encarnados''”, en el 2004 en la Galería Magda Belloti de Madrid con su obra “''Peinar la piel''”, en el año 2006 hizo parte del premio Luis Caballero con su obra “''De tripas corazón''” expuesta en la Galería Santafé, Bogotá. Expuso en el año 2007 en Oporto, Portugal su obra “''Xenogamia''” en el MCO Arte Contemporáneo.  
During the 2000 decade she also held individual exhibitions at various galleries in Europe, Asia and Latin America, with her 2003 project “''Encarnados''” (Incarnate) at the Alonso Garcés Gallery and her piece “''Peinar la piel''” (Brushing the skin) at Madrid’s Magda Belloti Gallery standing out among them. In 2006 she competed for the Luis Caballero Award with her work “''De tripas corazón''” (Bite the bullet), which was displayed at the Santafé Gallery in Bogotá. She exhibited her piece Xenogamia (Xenogamy) at MCO Arte Contemporáneo in Porto, Portugal in 2007.  


En el 2012 expuso en Vietnam y Turquía con su intervención en el proyecto “''Hexágono irregular''”. En el 2013 presentó en la galería de la Cámara de Comercio de Bogotá sede Chapinero su proyecto “''Desde el antejardín''”; en el año 2014 expuso “''Una línea en hilo''” en el Museo de Artes Visuales de la Universidad Jorge Tadeo Lozano y en el 2017 presentó su obra “''Ornitografías''” en el Museo de Arte Moderno de Barranquilla.<ref>Biografía Luz Ángela Lizarazo https://www.luzangelalizarazo.com/bio.html</ref>
In 2012 she held exhibitions in Vietnam and Turkey through her participation in the “Irregular Hexagon” project. She presented her project “''Desde el antejardín''”” (From the front garden) at the gallery of the Chapinero office of the Bogotá Chamber of Commerce in 2013, and a year later exhibited “''Una línea en hilo''” (A line in thread) at Jorge Tadeo Lozano University’s Museum of Visual Arts. In 2017 she exhibited her piece “''Ornitografías''” (Ornithographies) at the Barranquilla Museum of Modern Art<ref>Luz Ángela Lizarazo biography https://www.luzangelalizarazo.com/bio.html</ref>


===Características de su obra===
===Characteristics of her work===


La obra de la artista colombiana está definida por la creación de redes que conectan una idea con la otra, siempre teniendo presente el propósito temático. Desde esta concepción, sus obras artísticas enlazan asuntos complejos y difíciles de tratar en un contexto social, cultural y político, mezcla que orienta el recurso de la poesía. Con lo anterior se expresa la dicotomía entre la fragilidad y la delicadeza de la técnica o los materiales con la inclemente realidad de la temática o trasfondo.  
The art of Luz Ángela Lizarazo is defined by the creation of networks that connect one idea with another while keeping the thematic purpose constantly in mind. From this perspective, her artistic works weave together complex and intractable issues in a social, cultural and political context, a blend that guides the poetic device; this shows the dichotomy between the fragility and delicateness of the technique or the materials with the grueling reality of the theme or undercurrent.  


Respecto a los materiales y la técnica, ha utilizado infinidad de recursos plásticos como el dibujo, que le permite reflexionar y meditar desde la intimidad, el cabello para abordar la importancia y tradición del tejido, el vidrio para explorar la fragilidad y la tentativa fractura o quiebre de las ideas, la fúrcula o llamado “''hueso de la suerte''” que le ha permitido abordar el simbolismo del vuelo en las aves, la importancia por su carácter relevante en la anatomía animal, así como conceptos de suerte, vuelo y deseo.<ref>[2] La lírica de los materiales en Luz Ángela Lizarazo. Ah Magazine http://www.ahmagazine.es/luz-angela-lizarazo/</ref>
In terms of materials and techniques, she has employed myriad visual resources such as drawing, which allows her to reflect and meditate based on intimacy; hair, in order to address the importance and tradition of weaving; glass, in order to express the fragility and the tentative fracture or breakage of ideas; and the furcula or so-called ‘wishbone’, which has enabled her to address the symbolism of flight in birds and its importance due to its relevance in animal anatomy, as well as concepts of luck, flight and desire<ref>''La lírica de los materiales en Luz Ángela Lizarazo'' (The lyrical poetry of the materials of Luz Ángela Lizarazo). Ah Magazine http://www.ahmagazine.es/luz-angela-lizarazo/</ref>


===Obras (proyectos) destacados===
===Featured works (projects)===


*'''{{Fecha|2006|link=}}''': Tejidos
*'''{{Fecha|2006|link=}}''': Tejidos (Weavings)
*'''{{Fecha|2008|link=}}''': Xenogamia
*'''{{Fecha|2008|link=}}''': Xenogamia (Xenogamy)
**2008: El Dorado
**2008: El Dorado
**2008: Mudanza
**2008: Mudanza (Removal)
*'''{{Fecha|2012|link=}}''': Garden Tales
*'''{{Fecha|2012|link=}}''': Garden Tales
*'''{{Fecha|2012-2015|link=}}''': Ornitografías: aves que no vemos
*'''{{Fecha|2012-2015|link=}}''': Ornitografías: aves que no vemos (Ornithographies: birds we don’t see)
*'''{{Fecha|2014|link=}}''': Territorio soñado
*'''{{Fecha|2014|link=}}''': Territorio soñado (Dream Territory)
*2014: Una línea en hilo
*2014: Una línea en hilo (A Line in Thread)
*'''{{Fecha|2015-2017|link=}}''': Celosías: estéticas de la paranoia
*'''{{Fecha|2015-2017|link=}}''': Celosías: estéticas de la paranoia (Lattices: Aesthetics of Paranoia)
 
===Works by Luz Ángela Lizarazo in the collections of the Banco de la República===


===Obras de Luz Ángela Lizarazo en las Colecciones del Banco de la República===
{|class="wikitable" border="0" style="background:#ffffff; width: 90%" align="top"  
{|class="wikitable" border="0" style="background:#ffffff; width: 90%" align="top"  
|+ align="center" style="background:DarkSlateBlue; color:white"|<big>'''Obras de Luz Ángela Lizarazo en la Colección de Arte del Banco de la República'''</big>
|+ align="center" style="background:DarkSlateBlue; color:white"|<big>'''Works by Luz Ángela Lizarazo in the collections of the Banco de la República'''</big>
! width="300 px" style="background:Lavender; color:Black"|Título
! width="300 px" style="background:Lavender; color:Black"|Title
! width="40 px" style="background:Lavender; color:Black"|Año
! width="40 px" style="background:Lavender; color:Black"|Year
! width="80 px" style="background:Lavender; color:Black"|Ubicación
! width="80 px" style="background:Lavender; color:Black"|Location
! width="80 px" style="background:Lavender; color:Black"|Denominación
! width="80 px" style="background:Lavender; color:Black"|Technique
! width="80 px" style="background:Lavender; color:Black"|Registro
! width="80 px" style="background:Lavender; color:Black"|Registration number
|-
|-
||Ornitografías de la serie nuevos cantos y onda de viento
||Ornithographies, from the series “Nuevos cantos y onda de viento” (New songs and ripple of wind)
||2015
||2015
||
||
||No registra
||Not recorded
||AP5598
||AP5598
|-
|-
||Madre de marzo
||Madre de marzo (Mother of March)
||2002
||2002
||Reserva
||Reserve
||Dibujo
||Drawing
||AP4213
||AP4213
|-
|-
|}
|}


==Cronología==
==Timeline==


*'''{{Fecha|1966|link=}}''': nace en Bogotá, Colombia.
the most relevant milestones in her career are listed in chronological order, such as date of birth, marriage, entry into institutions, exhibitions and recognitions :
*'''{{Fecha|1998|link=}}''': participa en la exposición “''Rojo sobre rojo''” Premio Johnny Walker de las Artes, Bogotá / “''Fragilidad: arte y medio ambiente''” Museo de Arte Universidad Nacional, sede Bogotá.
*'''{{Fecha|2003|link=}}''': hace parte de la exposición “''Arte, mujer y migración''” Casa de la Cultura de Alcobendas.
*'''{{Fecha|2006|link=}}''': participa en el Premio Luis Caballero, Galería Santafé con su proyecto “''De tripas corazón''”.
*'''{{Fecha|2007|link=}}''': presenta su obra “''Celosías. Estéticas de la Paranoia''” en Madrid y Cartagena.
*'''{{Fecha|2009|link=}}''': participa en la muestra “''Regreso. Arte Latinoamericano y Memoria''”, Casa de América, Madrid.
*'''{{Fecha|2012|link=}}''': participa en un proyecto artístico en Vietnam y Turquía con su obra “''Hexágono Irregular''”.
*'''{{Fecha|2015|link=}}''': hace parte del “''Museo Efímero del Olvido''” del salón Regional de Artistas, Universidad Nacional.
*'''{{Fecha|2017|link=}}''': participa en la exposición “''Deseo. Una exposición sobre el sexo, el amor y la lujuria''”, Museo de Arte Moderno de Medellín.
*'''{{Fecha|2019|link=}}''': expone en la Casa Hoffmann en el marco de la exposición “''Lujuria''”, Bogotá.


==Véase también==
*'''{{Fecha|1966|link=}}''': Born in Bogotá, Colombia.
*'''{{Fecha|1998|link=}}''': Takes part in the exhibition “Red on Red” for the Johnny Walker Arts Award in Bogotá, and “Fragility: Art and the Environment” at the Art Museum of the Bogotá campus of the National University.
*'''{{Fecha|2003|link=}}''': Forms part of the exhibition “''Art, Women and Migration''” at the Alcobendas Cultural Center.
*'''{{Fecha|2006|link=}}''': :Competes for the Luis Caballero Award at the Santafé Gallery with her project “''Bite the Bullet''”.
*'''{{Fecha|2007|link=}}''': Presents her piece “''Lattices: Aesthetics of Paranoia''” in Madrid and Cartagena.
*'''{{Fecha|2009|link=}}''': Takes part in the show “''Return: Latin American Art and Memory''” at Casa de América, Madrid.
*'''{{Fecha|2012|link=}}''': Participates in an artistic project in Vietnam and Turkey with her piece “''Irregular Hexagon''”.
*'''{{Fecha|2015|link=}}''':Forms part of the “''Ephemeral Museum of Oblivion''” at the Regional Artists Show at the National University of Colombia.
*'''{{Fecha|2017|link=}}''': Takes part in the exhibition “''Desire: An Exhibition about Sex, Love and Lust''” at the Medellín Museum of Modern Art.
*'''{{Fecha|2019|link=}}''': Exhibits at Casa Hoffmann in Bogotá as part of the exhibition “''Lust''”.


*[http://efimero.org/project/luz-angela-lizarazo-historias-de-jardin/ Museo Efímero del Olvido. Luz Angela Lizarazo Historias de Jardín.]
==See also==


*[http://plectogaleria.com/por-aqui-pasa-el-viento/Plecto Espacio de Arte Contemporáneo. Por aquí pasa el viento]
*[http://efimero.org/project/luz-angela-lizarazo-historias-de-jardin/ Ephemeral Museum of Oblivion. Luz Angela Lizarazo: Garden Tales.]


==Referencias==
*[http://plectogaleria.com/por-aqui-pasa-el-viento/Plecto Contemporary Art Space. Por aquí pasa el viento (The wind passes through here)]
 
==References==
{{listaref}}
{{listaref}}


==Bibliografía==
==Bibliography==
1. Roca, José y Suárez, Sylvia. (2019). El aire en los huesos. Colección de Arte Contemporáneo Seguros Bolívar. Bogotá: Tangrama.
 
1.Roca, José y Suárez, Sylvia. (2019). ''El aire en los huesos '' (Air in the bones). Seguros Bolívar Contemporary Art Collection. Bogotá: Tangrama.


2. Roca, José y Suárez, Sylvia. (2012). Transpolítico. Arte en Colombia 1992-2012. Madrid: Lungwerg Editores.
2.Roca, José y Suárez, Sylvia. (2012). ''Transpolítico ''. Arte en Colombia 1992-2012 (Transpolitical: Art in Colombia 1992-2012). Madrid: Lungwerg Editores.


==Colección de arte del Banco de la República==
==Art collection of the Banco de la República==


*Visite la obra Ornitografías de Luz Ángela Lizarazo en [https://banrepcultural.org/coleccion-de-arte/obra/ornitografias-de-la-serie-nuevos-cantos-y-onda-de-viento-ap5598 Colección de arte]
*Visit the artwork Ornithographies of Luz Ángela Lizarazo in [https://banrepcultural.org/coleccion-de-arte/obra/ornitografias-de-la-serie-nuevos-cantos-y-onda-de-viento-ap5598 Colección de arte]


*Visite la obra Madre de marzo de Luz Ángela Lizarazo en [https://banrepcultural.org/coleccion-de-arte/obra/madre-de-marzo-ap4213 Colección de arte]
*Visit the artwork Mother of March of Luz Ángela Lizarazo in [https://banrepcultural.org/coleccion-de-arte/obra/madre-de-marzo-ap4213 Colección de arte]


==Créditos==
==Credits==


1. Investigación y texto Alejandro Lozano, mediador de los Museos y colecciones del Banco de la República, para Banrepcultural.  
1. Research and text: Alejandro Lozano, mediator of the museums and collections of the Banco de la República, for Banrepcultural.  


2. Revisión y edición de textos: Inti Camila Romero Estrada y Diana Marcela Salas Solórzano. Servicios al Público y Educativos, Unidad de Arte y Otras Colecciones (UAOC)
2.Text revision and editing: Inti Camila Romero Estrada and Diana Marcela Salas Solórzano. Public and Educational Services, Art and Other Collections Unit (UAOC).





Revisión actual - 18:32 13 sep 2021

Otros idiomas:
Luz Ángela Lizarazo
Avatar-mujer.jpg
Datos generales
Nombre Luz Ángela Lizarazo
Fecha de nacimiento 1966
Nacionalidad Colombiana, Bandera de Colombia }}
Ocupación Artista
Estudios universitarios Arte en la Universidad de Los Andes
Formación profesional Arte en la Escuela de Bellas Artes de París
País de nacimiento Colombia, Bandera de Colombia }}
Ciudad de nacimiento Bogotá


Luz Ángela Lizarazo is a Colombian artist who was born in Bogotá in 1966. Her work encompasses the study of and interest in fragility, the relationship between what is private and intimate and the public sphere, and the interaction with spatiality.

Biography

Luz Ángela Lizarazo was born in Bogotá in 1966, and studied Art at the University of Los Andes and the Paris School of Fine Arts. Following her time in the French capital she traveled to Madrid, where she lived for a period of ten years. During this phase of her career, she came into contact with contemporary art, enabling her to explore an endless amount of resources and themes. In the Spanish capital she studied jewelry making, in addition to being taught ceramics in Bogotá.

Her academic journey and exploratory activities in various cities have allowed her to broaden her artistic perspective, based on individuality, the human essence and even mass social problems, and by making use of devices such as the fragility both of raw materials and their conceptual undercurrent.

Artistic career

Luz Ángela Lizarazo’s artistic career spans close to two decades, beginning with recognitions in the 1990s such as the honorable mentions she received in 1990 as part of the 2nd Art Biennial at the Bogotá Museum of Modern Art (MAMBO) and for her work on the project Odas y Cantos de Pablo Neruda (Odes and Songs of Pablo Neruda) at the Tamarind Institute in Albuquerque (New Mexico), United States. She has also taken part in group exhibitions, including 1998’s Rojo sobre rojo (Red on red) for the Johnny Walker Arts Award at the Luis Ángel Arango Library of the Banco de la República, “Painting in the 1990s” at the Cartagena Museum of Modern Art, and “Fragility: Art and the Environment” at the Art Museum of the Bogota campus of the National University of Colombia. In 2007 she formed part of the exhibition entitled “Colombian Art from 1960-2000 in the Museum Collection” at MAMBO, and two years later was included in the group show “Return: Latin American Art and Memory” at the Casa de América in Madrid. She also presented her work in the Moroccan capital Casablanca as part of the 1st International Biennial of Casablanca in 2012.

During the 2000 decade she also held individual exhibitions at various galleries in Europe, Asia and Latin America, with her 2003 project “Encarnados” (Incarnate) at the Alonso Garcés Gallery and her piece “Peinar la piel” (Brushing the skin) at Madrid’s Magda Belloti Gallery standing out among them. In 2006 she competed for the Luis Caballero Award with her work “De tripas corazón” (Bite the bullet), which was displayed at the Santafé Gallery in Bogotá. She exhibited her piece Xenogamia (Xenogamy) at MCO Arte Contemporáneo in Porto, Portugal in 2007.

In 2012 she held exhibitions in Vietnam and Turkey through her participation in the “Irregular Hexagon” project. She presented her project “Desde el antejardín”” (From the front garden) at the gallery of the Chapinero office of the Bogotá Chamber of Commerce in 2013, and a year later exhibited “Una línea en hilo” (A line in thread) at Jorge Tadeo Lozano University’s Museum of Visual Arts. In 2017 she exhibited her piece “Ornitografías” (Ornithographies) at the Barranquilla Museum of Modern Art[1]

Characteristics of her work

The art of Luz Ángela Lizarazo is defined by the creation of networks that connect one idea with another while keeping the thematic purpose constantly in mind. From this perspective, her artistic works weave together complex and intractable issues in a social, cultural and political context, a blend that guides the poetic device; this shows the dichotomy between the fragility and delicateness of the technique or the materials with the grueling reality of the theme or undercurrent.

In terms of materials and techniques, she has employed myriad visual resources such as drawing, which allows her to reflect and meditate based on intimacy; hair, in order to address the importance and tradition of weaving; glass, in order to express the fragility and the tentative fracture or breakage of ideas; and the furcula or so-called ‘wishbone’, which has enabled her to address the symbolism of flight in birds and its importance due to its relevance in animal anatomy, as well as concepts of luck, flight and desire[2]

Featured works (projects)

  • 2006: Tejidos (Weavings)
  • 2008: Xenogamia (Xenogamy)
    • 2008: El Dorado
    • 2008: Mudanza (Removal)
  • 2012: Garden Tales
  • 2012-2015: Ornitografías: aves que no vemos (Ornithographies: birds we don’t see)
  • 2014: Territorio soñado (Dream Territory)
  • 2014: Una línea en hilo (A Line in Thread)
  • 2015-2017: Celosías: estéticas de la paranoia (Lattices: Aesthetics of Paranoia)

Works by Luz Ángela Lizarazo in the collections of the Banco de la República

Works by Luz Ángela Lizarazo in the collections of the Banco de la República
Title Year Location Technique Registration number
Ornithographies, from the series “Nuevos cantos y onda de viento” (New songs and ripple of wind) 2015 Not recorded AP5598
Madre de marzo (Mother of March) 2002 Reserve Drawing AP4213

Timeline

the most relevant milestones in her career are listed in chronological order, such as date of birth, marriage, entry into institutions, exhibitions and recognitions :

  • 1966: Born in Bogotá, Colombia.
  • 1998: Takes part in the exhibition “Red on Red” for the Johnny Walker Arts Award in Bogotá, and “Fragility: Art and the Environment” at the Art Museum of the Bogotá campus of the National University.
  • 2003: Forms part of the exhibition “Art, Women and Migration” at the Alcobendas Cultural Center.
  • 2006: :Competes for the Luis Caballero Award at the Santafé Gallery with her project “Bite the Bullet”.
  • 2007: Presents her piece “Lattices: Aesthetics of Paranoia” in Madrid and Cartagena.
  • 2009: Takes part in the show “Return: Latin American Art and Memory” at Casa de América, Madrid.
  • 2012: Participates in an artistic project in Vietnam and Turkey with her piece “Irregular Hexagon”.
  • 2015:Forms part of the “Ephemeral Museum of Oblivion” at the Regional Artists Show at the National University of Colombia.
  • 2017: Takes part in the exhibition “Desire: An Exhibition about Sex, Love and Lust” at the Medellín Museum of Modern Art.
  • 2019: Exhibits at Casa Hoffmann in Bogotá as part of the exhibition “Lust”.

See also

References

  1. Luz Ángela Lizarazo biography https://www.luzangelalizarazo.com/bio.html
  2. La lírica de los materiales en Luz Ángela Lizarazo (The lyrical poetry of the materials of Luz Ángela Lizarazo). Ah Magazine http://www.ahmagazine.es/luz-angela-lizarazo/

Bibliography

1.Roca, José y Suárez, Sylvia. (2019). El aire en los huesos (Air in the bones). Seguros Bolívar Contemporary Art Collection. Bogotá: Tangrama.

2.Roca, José y Suárez, Sylvia. (2012). Transpolítico . Arte en Colombia 1992-2012 (Transpolitical: Art in Colombia 1992-2012). Madrid: Lungwerg Editores.

Art collection of the Banco de la República

Credits

1. Research and text: Alejandro Lozano, mediator of the museums and collections of the Banco de la República, for Banrepcultural.

2.Text revision and editing: Inti Camila Romero Estrada and Diana Marcela Salas Solórzano. Public and Educational Services, Art and Other Collections Unit (UAOC).