But the change is not merely thematic; it is also formal and substantive. The handling of the formal elements (planes, colors, compositions) is now more complex and starker and the intention is to give account, through those elements, of how chaotic and dramatic the situation is, more concise and swifter. On the occasion of the Fifth Centennial of the discovery of America in 1992, Beatriz González made a series of silkscreen prints of an indigenous person in a boat. Besides from her paintings and drawings, González has extensively produced prints [See Volume 6, Arte, p. 130 and 131].