Translations:Débora Arango Pérez/4/en

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Beginning in 1932, the young artist became a student of two well-regarded artists in Antioquia: Eladio Vélez, and in 1935, Pedro Nel Gómez. Each in his own way contributed to determining Arango’s visual values and to consolidating her pictorial style. Vélez was fundamental to her understanding of drawing as the essence of all representation, while Gómez was crucial to her esteem for humanist themes and the development of a more expressionist style.