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“''Nada está donde se cree…''” (Nothing is where it seems to be…) was an anthology exhibition of the artist’s work, curated by Diana B. Wechsler. It was initially designed to be site-specific at the Hotel de Inmigrantes in Buenos Aires, a place of passage for European, Asian and African immigrants who arrived in Argentina during the 19th century and currently the home of the museum of the National University of Tres de Febrero, a space of historical memory through artistic interventions and symbolic productions. The exhibition was subsequently adapted for the Miguel Urrutia Art Museum in Bogotá in 2015, where works such as Bocanada (1993 – 2014), Cuerpo a cuerpo (1996 – 2014), M2 (2007 – 2014), Tensión Admisible (Admissible Tension; 1996 – 2014), y Sombras del sur y del norte (Shadows from the South and the North; 2001 – 2014) were presented.
“''Nada está donde se cree…''” (Nothing is where it seems to be…) was an anthology exhibition of the artist’s work, curated by Diana B. Wechsler. It was initially designed to be site-specific at the Hotel de Inmigrantes in Buenos Aires, a place of passage for European, Asian and African immigrants who arrived in Argentina during the 19th century and currently the home of the museum of the National University of Tres de Febrero, a space of historical memory through artistic interventions and symbolic productions. The exhibition was subsequently adapted for the Miguel Urrutia Art Museum in Bogotá in 2015, where works such as Bocanada (1993 – 2014), Cuerpo a cuerpo (1996 – 2014), M2 (2007 – 2014), Tensión Admisible (Admissible Tension; 1996 – 2014), y Sombras del sur y del norte (Shadows from the South and the North; 2001 – 2014) were presented.

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Definición del mensaje (Graciela Sacco)
“''Nada esta dónde se cree…''” fue una exposición antológica de la artista curada por Diana B. Wechsler. Inicialmente fue producida para ser de sitio específico en el Hotel de Inmigrantes de Buenos Aires, lugar de tránsito para inmigrantes europeos, asiáticos y africanos que llegaron a Argentina durante el siglo XIX, y donde actualmente funciona el Museo de la Universidad Nacional de Tres de Febrero, espacio de memoria histórica a través de intervenciones artísticas y producciones simbólicas. Esta exposición fue adaptada posteriormente para el Museo de Arte Miguel Urrutia en Bogotá en 2015 donde se presentaron obras como Bocanada (1993 – 2014), Cuerpo a cuerpo (1996 – 2014), M2 (2007 – 2014), Tensión Admisible (1996 – 2014), y Sombras del sur y del norte (2001 – 2014).

“Nada está donde se cree…” (Nothing is where it seems to be…) was an anthology exhibition of the artist’s work, curated by Diana B. Wechsler. It was initially designed to be site-specific at the Hotel de Inmigrantes in Buenos Aires, a place of passage for European, Asian and African immigrants who arrived in Argentina during the 19th century and currently the home of the museum of the National University of Tres de Febrero, a space of historical memory through artistic interventions and symbolic productions. The exhibition was subsequently adapted for the Miguel Urrutia Art Museum in Bogotá in 2015, where works such as Bocanada (1993 – 2014), Cuerpo a cuerpo (1996 – 2014), M2 (2007 – 2014), Tensión Admisible (Admissible Tension; 1996 – 2014), y Sombras del sur y del norte (Shadows from the South and the North; 2001 – 2014) were presented.

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