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In 1935 she participated in a group show at the Brooklyn Museum in New York. Six years later, in 1941, she presented her first solo show at the Nierendorf Gallery, also in New York.[2] During this period, the artist produced works with wood, terracotta, bronze, and plaster. Throughout her life, the artist presented more than one hundred solo exhibitions. As a way of discovering new concepts in her work and taking on particular styles, she studied engraving with the British artist Stanley William Hayter, founder of “''Atelier 17''”..
In 1935 she participated in a group show at the Brooklyn Museum in New York. Six years later, in 1941, she presented her first solo show at the Nierendorf Gallery, also in New York.<ref>Louise Nevelson. Guggenheim Museum.
https://www.guggenheim.org/artwork/artist/louise-nevelson</ref> During this period, the artist produced works with wood, terracotta, bronze, and plaster. Throughout her life, the artist presented more than one hundred solo exhibitions. As a way of discovering new concepts in her work and taking on particular styles, she studied engraving with the British artist Stanley William Hayter, founder of “''Atelier 17''”..

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En 1935 participó en una muestra colectiva en el Brooklyn Museum de Nueva York y seis años más tarde, en 1941, presentó su primera muestra individual en la misma ciudad, aunque en aquella ocasión en la Nierendorf Gallery.<ref>Louise Nevelson. Guggenheim Museum.
https://www.guggenheim.org/artwork/artist/louise-nevelson</ref>. Durante esta etapa, la artista ya elaboraba obras en madera, terracota, bronce y yeso. A lo largo de su vida, la artista presentó más de cien muestras individuales. Como una manera de descubrir nuevos conceptos en su obra y tomar estilos particulares, estudió grabado con el artista británico Stanley William Hayter, fundador del “''Atelier 17''”.

In 1935 she participated in a group show at the Brooklyn Museum in New York. Six years later, in 1941, she presented her first solo show at the Nierendorf Gallery, also in New York.[1] During this period, the artist produced works with wood, terracotta, bronze, and plaster. Throughout her life, the artist presented more than one hundred solo exhibitions. As a way of discovering new concepts in her work and taking on particular styles, she studied engraving with the British artist Stanley William Hayter, founder of “Atelier 17”..